国产热热热精品,亚洲视频久久】日韩,三级婷婷在线久久,99人妻精品视频,精品九热人人肉肉在线,AV东京热一区二区,91po在线视频观看,久久激情宗合,青青草黄色手机视频

chinadaily.com.cn
left corner left corner
China Daily Website

British royal paintings exhibition charts 250 years of fashion

Updated: 2013-05-10 15:41
( English.news.cn)

CHANGES AND FOREIGN INFLUENCES

During the 16th century there was no English style of dress, Reynolds told Xinhua. "Shakespeare remarks on it, with the English combining various elements from abroad to make something quite fantastic."

During the 16th century fashion drew its inspiration from the most powerful European nation Spain, and its domination across Europe of its rulers the House of Habsburg.

That meant Spanish styles were worn in Italy, the Low Countries and parts of Germany to make a political presence by what royalty, court and the ruling class were wearing; the fashion emphasized how powerful Spain was and how far its power extended.

But in the 17th century France became more important, and at the same time it became more the leader of fashion, symbolized by the Sun King Louis XIV's court and his court at Versailles, where being fashionable seemed to be the main task of courtiers, who were principally there to reflect glory on Louis.

"By the time of the 17th century we have the Stuart style, with Charles I being a trendsetter and a leader of fashion and I think that is when English dress really come into its own," said Reynolds.

By the end of the 17th century, Charles II (1660-1685, Charles I's son) was consciously trying to create an English form of dress, said Reynolds, although France remained the leading exporter of luxury goods.

However, Charles II even had a French tailor, to keep him right up to date with the cutting edge of court fashion and put him one step ahead of the French.

One of the paintings shows him in a distinctive coat and breeches "to distinguish him from the royal fashions of France," said Reynolds.

The exhibition takes in paintings from the time of Henry VII (1485-1509) onwards, and charts an era when fashion became more accessible, if not to the common man then to the rich man, instead of being the preserve of the court and royalty.

"Fashions still continue to be used to demonstrate status but it is not just the elite any more," said Reynolds.

"During Henry VIII's time (1509-1547), to be really fashionable you had to be at the court and really, really rich. But by the 17th century there is the rising gentry and merchant classes. This rise of the middle class able to follow fashions is a trend that continues even more into the 18th century."

British royal paintings exhibition charts 250 years of fashion

British royal paintings exhibition charts 250 years of fashion


Simple yet colorful
 

Wuzhen Theatre Festival, A Small Town's Ambition 

Previous Page 1 2 Next Page

 
 
...
阳泉市| 布尔津县| 青阳县| 佛山市| 鹤山市| 郁南县| 汝阳县| 锡林郭勒盟| 临高县| 高密市| 汾西县| 大荔县| 保康县| 土默特左旗| 乌审旗| 延川县| 安丘市| 广西| 垫江县| 东阳市| 健康| 邛崃市| 北宁市| 会泽县| 安达市| 玛纳斯县| 思南县| 利川市| 阜新市| 镇原县| 宝丰县| 平陆县| 东源县| 交城县| 石棉县| 林口县| 乐山市| 平陆县| 濮阳县| 巴马| 龙游县|