国产热热热精品,亚洲视频久久】日韩,三级婷婷在线久久,99人妻精品视频,精品九热人人肉肉在线,AV东京热一区二区,91po在线视频观看,久久激情宗合,青青草黄色手机视频

USEUROPEAFRICAASIA 中文雙語Fran?ais
Lifestyle
Home / Lifestyle / People

Making films for the mind, not market

By Liu wei | China Daily | Updated: 2010-11-24 09:57

Chen Kaige is often called kai ye by actors and fellow directors - ye, literally grandpa, is commonly used in Beijing to refer to those respected for their expertise in a certain field.

The 58-year-old director, along with Zhang Yimou and Feng Xiaogang, are undisputedly the three most famous filmmakers in China. As a leading figure of the prestigious "fifth generation" filmmakers that includes Zhang, Chen was the earliest of these Chinese directors to achieve international recognition. His Farewell My Concubine is the only Chinese film to have won the top award at the Cannes Film Festival.

But of the "top three", Chen has distinct characteristics.

Unlike Zhang and Feng, Chen grew up in Beijing Studio, where his father Chen Huaikai was a well-known director.

"Chen's distinguished family background makes him a very scholarly director," says senior critic Tan Fei. "He has a deep understanding of Chinese culture and a strong sense of mission."

Chen likes to pick stories set in ancient China with a strong focus on the fine arts. For example, both Farewell My Concubine and Forever Enthralled tell stories about Peking Opera, while The Emperor and the Assassin is based on historical events.

"Art is a subject that Chen explores often," Tan says. "Farewell My Concubine and Forever Enthralled are about Peking Opera, and Together is about music."

For Chen, film is first a work of art and then a tool for making money, Tan says.

"That is why he is valuable, but it is also his disadvantage in today's market," he says.

Professor Zhang Yiwu of Peking University, adds that compared to Zhang and Feng, Chen is the least sensitive to the local market. "He is the most intellectual (of the three), who tends to reflect on such issues as the fate of the country and its people," he says. "Zhang Yimou used to be very sensitive to social concerns, and Feng Xiaogang has a magical hunch for local audience's interests."

Yet at a time when China's film industry is racing ahead, Chen has to think beyond artistic values.

"Failure is a luxury now," says Tan. "There are so many directors and films. In the past a famous director like Chen could afford a couple of box office failures without losing much ground, but today's audiences and investors have too many choices."

Chen has been working hard to find a place between his personal preferences and the market's needs in recent years. His last two works, The Promise and Forever Enthralled, both feature a superstar cast and commercial blockbuster marketing.

"This is his personal choice, but also part of the reality of today's Chinese cinema," Zhang says, commenting on Chen's recent works.

 

Copyright 1995 - . All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co (CDIC). Without written authorization from CDIC, such content shall not be republished or used in any form. Note: Browsers with 1024*768 or higher resolution are suggested for this site.
License for publishing multimedia online 0108263

Registration Number: 130349
FOLLOW US
雷州市| 阜城县| 宁阳县| 方城县| 临沭县| 富锦市| 新竹市| 开平市| 江山市| 临泽县| 鲁山县| 深泽县| 罗田县| 北辰区| 永州市| 望都县| 江北区| 灯塔市| 田阳县| 景谷| 兰考县| 正宁县| 云和县| 金阳县| 黑山县| 清丰县| 哈密市| 霍林郭勒市| 花莲市| 东山县| 泸州市| 中西区| 绥芬河市| 洛南县| 迁安市| 湖口县| 龙州县| 那曲县| 花莲县| 司法| 望奎县|