GENTLER than Jim Carrey, more playful than Ben Stiller, able to leap tall tales in a single bound, Jack Black is the one guy in American movie theaters right now who knows how to coax out the genuine article.
Cars lionizes the lure of the open road and the appeal of a simpler time in a way that is both technically impressive and touching.
Talking automobiles. No people. That's the latest creative innovation by leading animation studio Pixar with their latest output "Cars."
More a valentine to Chicago's architecture than the aching love story it purports to be, "The Lake House" is a slow-moving
In "Superman Returns," Superman encounters a Lois Lane betrothed to someone else, and for once, his super powers cannot rescue him.
It might not be way up there in "The Incredibles"/"Finding Nemo"/"Toy Story" stratosphere, but the "Cars" is nevertheless a thoroughly pleasant trip.
All remakes are needless, but this update of "The Omen" is especially so.
The Break-Up is not comical or romantic, and it's certainly not a date movie.
X-Men: The Last Stand expands on the themes of discrimination and alienation explored in the first two films.
Should anyone watch the movie? That's the real question.
Nobody gets to decide whether to accept the mission in Poseidon or not; that's one of the many attractions of this excellently undemanding
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