国产热热热精品,亚洲视频久久】日韩,三级婷婷在线久久,99人妻精品视频,精品九热人人肉肉在线,AV东京热一区二区,91po在线视频观看,久久激情宗合,青青草黄色手机视频

Breaking traditional barriers

By Chen Nan | China Daily | Updated: 2025-09-23 07:03
Share
Share - WeChat
A scene from the immersive musical Till We Meet Again directed by Li. [Photo provided to China Daily]

The production also pays homage to the distinctive performing styles of Peking Opera's greatest masters, including the Mei school and the Tan school. The cast's performances showcase the rich diversity within the tradition. For example, Zhang Jianfeng, known for his Xi school style, brings a depth and emotional resonance to his performance, while Ma Botong, with his Tan school training, offers sharp, commanding vocals that echo the energy of heroic figures. In contrast, Qiu Shi's Yu school delivery evokes rustic simplicity and graceful dignity.

Among the dan (female) roles, Dou Xiaoxuan's interpretation of the Mei school is regal and dignified, while Wang Qian's performance, with the Zhang school's fluidity and charm, exudes a youthful, playful energy. Zhang Zixi, representing the Cheng school, is captivating, delivering a poignant and subtle performance that evokes sorrow and tenderness.

"Though the basic melodies remain consistent, each school brings a unique flavor to the performance," says Li. "It's a conversation between tradition and innovation. Every performance, every voice, adds a new layer to tradition."

Li's approach hasn't gone unnoticed by younger audiences. Yan Zhenqing has drawn praise from those who may not have normally engaged with Peking Opera.

"I didn't expect to be so moved by it," wrote an audience member on the social media platform, RedNote. "The visuals were stunning, and the story felt so relevant to today. It was like seeing something old but made new again. I could really connect with it."

Another audience member shared: "I always thought traditional Chinese opera was too formal and old-fashioned. But after seeing this production, I realized it's a living art form, and it speaks to my generation, too."

Li, who was introduced to traditional Chinese opera by her family in Linfen, Shanxi province, has been part of the Jingju Theater Company of Beijing since graduating from the National Academy of Chinese Theatre Arts in 2011. When she first began working with the company, the theater had not hired a new director in years. The company was collaborating with famous directors, but Li's breakthrough came when the company's president asked her a pivotal question: "What can you bring to the table to compete with these big-name directors?"

|<< Previous 1 2 3 4 Next   >>|
Top
BACK TO THE TOP
English
Copyright 1994 - . All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co (CDIC). Without written authorization from CDIC, such content shall not be republished or used in any form. Note: Browsers with 1024*768 or higher resolution are suggested for this site.
License for publishing multimedia online 0108263

Registration Number: 130349
FOLLOW US
安义县| 丰原市| 莆田市| 宁陕县| 晋城| 衢州市| 汝南县| 加查县| 且末县| 永年县| 永昌县| 崇信县| 新津县| 青岛市| 汤原县| 西藏| 新源县| 岑巩县| 莒南县| 五大连池市| 仁布县| 罗源县| 城市| 吴川市| 东光县| 平昌县| 潜山县| 大姚县| 颍上县| 万山特区| 富顺县| 元氏县| 崇左市| 明星| 德保县| 白山市| 新邵县| 应用必备| 临湘市| 福泉市| 长子县|